Deadwood Lake UK
Melodic, Atmospheric and deeply emotional black metal from the UK. In memory of a fallen brother.
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supported by 40 fans who also own “Final Reflection”
A truly stellar death/doom album with heavy doses of black metal. Tracks like Isolation, Child of Light, and Broken Hymns deliver the sorrowful and icy tone of this album, elevated by the stirring cello compositions of Raphael Weinroth-Browne. The album delivers a deeply satisfying crescendo in Becoming Intangible before stirring the soul once again with Epilogue.
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supported by 39 fans who also own “Final Reflection”
The first 30 seconds of "Revenge by Fire" convinced me to get the whole album! It is a face-melting blend of speed and black metal, reminiscent of Hellripper! KVAEN is a Swedish solo project much like Hellripper but many known guest musicians helped J. Björnfot in his endeavor. Altogether it is really a solid debut album, I loved the melodies and the pace changes in the second half too, ending with a "calm" instrumental one. Well-done!!
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supported by 37 fans who also own “Final Reflection”
I listen to a lot of depressive and dark music, and I have to say this album hits hard. Very hard...
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Altäre der Vergänglichkeit
by Wrack
Crushing blackened doom from this German band that counterbalances blinding fury with moments of surprising, melancholy melody.
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An outstanding slab of atmospheric black metal, “Sisyphus” cannily blends texture and terror for a gripping final product.
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The eight tracks on the latest from German black metal band pummel and hiss, working occasional atmospheric moments into the din.
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Life has gone on long enough
by NONE
supported by 34 fans who also own “Final Reflection”
On ne frappe pas un homme à terre : c'est ce que dit la règle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxième opus, nous interdit l'accès au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs...
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